Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts

December 12, 2022

A Vintage Christmas: The Nutcracker by E.T.A. Hoffmann Retold by Veronica Tennant - Illustrated by Toller Cranston

Veronica Tennant is a Canadian producer, director, filmmaker and former prima ballerina with the National Ballet of Canada. Tennant's retelling of E.T.A. Hoffmann's The Nutcracker is full of decadence and splendor. From the lavish Christmas party to Clara's journey through fantasy land, each page sets the stage for an extravagant imaginary performance. The rat king makes a quick appearance to start off Clara's delirium that is soon filled with music, dancing and the feasting of sweets.

The high energy and exuberance of this story is matched with colourful and psychedelic art by Toller Cranston (1949–2015). Cranston was a Canadian painter and figure skater. He is a six-time Canadian Champion, 1970-1976, has won the 1974 World bronze medal, and the 1976 Olympic bronze medal. Cranston's fluid lines morph and bend into art that could be described as mesmerizing and surreal.

Amazon
McClelland and Stewart 1985
Hardcover 48p
10.75" x 9.5"
The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann The Nutcracker E.T.A. Hoffmann

December 10, 2022

A Vintage Christmas: Holly Hobbie's The Night Before Christmas by Clement C. Moore - Illustrated by Holly Hobbie

The ever popular poem, "The Night Before Christmas" by Clement Clarke Moore (1779-1863) has been illustrated by countless artists. Each lending their vision to the surprise and excitement of seeing old St. Nick. In fact the official title of the poem is "A Visit from St. Nicholas". Moore's poem is memorable with its descriptive text and catchy rhyme; a fun read every year. Moore was an American writer and also a Professor at the General Theological Seminary of the Protestant Episcopal Church, in New York City. He taught Oriental and Greek Literature, as well as Divinity and Biblical Learning.

Holly Hobbie is an American children's book writer and artist. Her distinctive little girl with a giant bonnet character was hugely popular on greeting cards in the 1970's. This once nameless character soon took on the name of its creator. Its success grew to include a line of dolls, various merchandise and TV shows. Hobbie brings her rustic charm to Moore's poem and adds another layer of warmth to an already beloved classic. This version is an older edition. Hobbie has illustrated this again much later in 2013 in a very different style.
 
 
Platt & Munk Publishers 1976
Hardcover 22p
8.5" x 11" 
Holly Hobbie's The Night Before Christmas 1976 Holly Hobbie's The Night Before Christmas Holly Hobbie's The Night Before Christmas Holly Hobbie's The Night Before Christmas Holly Hobbie's The Night Before Christmas Holly Hobbie's The Night Before Christmas Holly Hobbie's The Night Before Christmas Holly Hobbie's The Night Before Christmas

December 8, 2022

A Vintage Christmas: My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich

It's that time of the year again! The festive season is upon us so let's revisit some holiday classics. The first vintage book featured is My Big Christmas Book. The title is very accurate; it is big but not huge and contains a collection of stories, poems, carols, and craft ideas for the little ones. It is written by Hayden McAllister and illustrated by several uncredited artists. The cover is signed "Gottschlich" (Gisela), whose work covers the majority. Gisela Gottschlich is a German artist and Hayden McAllister is a children's book author. Their works are published with European publishers around the 1970's and 1980's. Little else is known about them. Gottschlich's vibrant illustrations of cute, doe-eyed children are instantly recognizable and have amassed a lot of interest with vintage book and ephemera enthusiasts.

Amazon
Peter Haddock Limited 1980
Hardcover 168p
8" x 10.75"
My Big Christmas Book Front and Back Covers My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich My Big Christmas Book by Hayden McAllister - Illustrated by Gisela Gottschlich

April 14, 2022

The Velveteen Rabbit by Margery Williams Centennial Anniversary

The Velveteen Rabbit New Books
Margery Williams Bianco (1881-1944) was an English-American author. The Velveteen Rabbit or How Toys Become Real was her first children's book and most famous piece of work. This endearing tale of a toy rabbit who through a child's love is magically transformed into a real being was first published in 1922 by George H. Doran Company. It continues to be published to this day and has been adapted numerous times for film and television. To celebrate the centennial anniversary of The Velveteen Rabbit, presented are two new special edition books and two older treasures. They each contain the complete classic story and is illustrated by a renowned artist. When comparing all four books side by side, the style differences are clear but a favourite is difficult to choose.

The Velveteen Rabbit 100th anniversary edition from Applesauce Press is illustrated by Charles Santore (1935–2019). This new design is streamlined to fit in nicely with their other newly published classic children's picture books and it does so very well. A soft lavender hue cover and an updated layout that displays all of Santore's original illustrations in a fresh setting. The book dimensions are the same as the 2013 version however, a sturdy cardboard slipcase and ribbon marker make this possible gift a tad more special. There are 21 beautiful illustrations painted in pastel colours; most are full page. The slightly larger text and thicker paper stock are always welcomed. A matte cover and case with spot varnish adds a classy touch to an overall clean look and is well worth the redesign.
 
Applesauce Press 2022
Hardcover 48p
10.5" x 11"
 
The 2007 Christmas edition published by Running Press has an elegant gold on red cover that is truly inviting. Don Daily (1940-2002) illustrates this book as well as the standard edition originally published in 1997. Some of the finest examples of Daily's legacy lies within these 24 superb illustrations. The painted human figures have natural poses and facial expressions while the rabbits are just the loveliest. The art is bright and uplifting. Daily excels at illustrating animals and delivers on The Velveteen Rabbit's poignant message. The text double spacing is easy on the eyes. The paper stock could be thicker.
 
Running Press Kids 2007
Hardcover 56p
10" x 13.25"
 
Rich and luminous paintings by Donna Green accompany this edition published by Vermilion in 1998. These illustrations are the most realistic of the four books discussed here. Green's oil paintings have a warmer feel and much softer look; the toy rabbit appears more velvety and huggable. There are 18 full page illustrations that evoke innocence and wonder; especially magical is the one of the young nursery fairy. The text is large enough but a little tightly spaced. Donna Green's website.
 
Vermilion 1998
Hardcover 48p
10.75" x 12.25"
 
The 100th anniversary edition from Doubleday is illustrated by Caldecott Medalist Erin Stead. The art is created using woodcut printing in two colours and pencil. By using a lot of white space to frame the illustrations; the effect is uncluttered and focused. Elegant in its simplicity, the 16 illustrations accentuates the melancholy of Williams' tale. While being a much smaller book than the previous mentioned, it holds a quiet and understated charm. Erin Stead's website.
 
Doubleday 2022
Hardcover 48p
8.25" x 10.31"
 
The Velveteen Rabbit remains a favoured classic for its celebration of love and friendship. Relive the magic with these beautiful editions.

November 5, 2019

Child Characters from Dickens Retold by Lucy L. Weedon - Illustrated by Arthur A. Dixon

This Christmas gift book published by Ernest Nister in 1905 collects Charles Dickens' best stories adapted by Lucy L. Weedon for the young reader. It's a small but thick book with 320 pages with all gilt edges. The cloth bound cover came in several colours including blue, green, brown and grey. There are six colour and seventy half-tone illustrations by Arthur A. Dixon beautifully printed on heavy weight stock. The coloured plates are vibrant and detailed with little signs of fading. A very attractive book for the collector.

Child Characters from Dickens Retold by L.L. WeedonChild Characters from Dickens Retold by Lucy L. Weedon - Illustrated by Arthur A. DixonChild Characters from Dickens Retold by L.L. Weedon
Child Characters from Dickens Retold by L.L. WeedonChild Characters from Dickens Retold by L.L. WeedonChild Characters from Dickens Retold by L.L. WeedonChild Characters from Dickens Retold by L.L. Weedon

December 16, 2018

Battle of the Books: P. J. Lynch/Sonja Danowski Illustrate The Gift of the Magi by O. Henry

Every year around this time, I like to take out some holiday classics to read over again. One favourite of mine is The Gift of the Magi, a short story by American writer William Sydney Porter (1862-1910) under the pen name O. Henry. First published in 1905, it has been enjoyed and retold for over a century. Selected here are two picture books that I simply adore and while they may not be the most recent, I feel they illustrate this love story in the best way. I cannot decide which I prefer so here goes my first Battle of the Books. In this post category, two books telling the same story will be weighed against each other. Since the text is identical in both books, this part is omitted in the comparison. Things considered are: visual appeal, illustrative impact, quality of print and paper, size and number of illustrations. The check mark () denotes my preference.

Book A
Book B
The Gift of the Magi Book A
The Gift of the Magi Book B
Illustrated by Sonja Danowski
Illustrated by P. J. Lynch
minedition 2013
Candlewick Press 2008
8.6" x 13"
7.8" x 9.4"

A: The cover is very beautiful with this close-up image of Della moping around on the couch staring at the pennies she has saved. I love the detail on the couch and Della's hair. The title above the image is easily noticeable.
B: This cover image is from the ending showing the couple in a loving embrace with a packaged gift on the table. The title is a bit subdued with the script type and little contrast to the background. There is a lot of emotion conveyed on their faces which works better with the story. Tie
The Gift of the Magi Sonja DanowskiThe Gift of the Magi P.J. Lynch
A: Opening the book displays a lovely art nouveau flower pattern on the endpapers. This rose image is used adjacent each picture; growing taller with every turn of the page. The layout of the book is more structured with text on the left side and picture on the right side of the spread. Script type is used for the text and white space used for overall framing. The illustrations use a muted palette that resemble colourized old photographs; the effect is vintage and elegant. 
B: This book begins with a view from Della's window. The poor neighbourhood is shown by the laundry line drying outside. Della is counting her pennies and looking distraught. The apartment and surroundings are better displayed. Warm browns and golden hues are used and a varied layout consisting of mostly full page images.
The Gift of the Magi Sonja DanowskiThe Gift of the Magi P.J. Lynch
A: Della slumps on a chair while her hair is being examined for purchase. Both figures are wonderfully drawn and the detailed background is superb. 
B: Mme. Sofronie looks much colder here with her pale face and stern look. There is movement and interesting figure placement but the background is a little bare.
The Gift of the Magi Sonja DanowskiThe Gift of the Magi P.J. Lynch
A: Della stares longingly through a store window and again great detailing in the background; this time with the buildings and added figures but Della looks a bit too fashionable for her budget and the illustration is similar to a previous one.
B: Della's joy shows through here by her expression and the busy streets filled with shoppers adds to the excitement of finding Jim's present. 
The Gift of the Magi Sonja DanowskiThe Gift of the Magi P.J. Lynch
A: Della is pictured with her newly cut hair and while I like seeing her use that old fashioned curling iron, the shape of her head seems off. It could be that I too miss seeing Della with her luxurious locks.
B: Della looks at her new hairstyle in the mirror trying to like it. The hopefulness in her eyes says volumes. 
The Gift of the Magi Sonja DanowskiThe Gift of the Magi P.J. Lynch
A: The rest of the illustrations follow a similar pattern with great detailing however, some of the figures can look a bit stiff and posed; sometimes looking right at the viewer. This style may not work as well for a story that is written in the third person. Near the end, the couple is shown in an embrace and Della looking slightly happier.
B: There are more illustrations showing Della and Jim's interaction here. The exchange of gifts, the surprise looks and the emotional realization, all add significant support to the story. The facial expressions are lively and real with figures that carry natural body language. The book ends with a view of the cold winter night with the happy couple shown through a small lit window. 

The Gift of the Magi Covers P.J. Lynch Sonja DanowskiA: Tall format with twelve large illustrations on medium weight stock. Spot varnish for the title with decorative title page and end papers. A stylish and elegant looking book. My favourite illustration is the one selected for the cover.
B: Wide format with twenty illustrations of varying sizes. Embossed title on cover and medium weight stock. I don't have a favourite illustration for this book, they all carry the same weight but I do enjoy the city scenes; it adds to the coldness of the environment, making Della and Jim's love burn a little bit brighter and warmer. ✔ 
Do you agree with these comparisons?